post

Todd Snider’s Overdue Return To Las Vegas

Think back to a time before Facebook or Twitter… I know it might be hard to imagine, but that’s how the worldwide web was way back in 2002 – tweet-less and barren of cute kitten pictures. 2002 was also the last time stoner-folk, free-spirited troubadour Todd Snider played in Las Vegas, and now he’s finally returned! What does that tell you? Maybe the acoustic music scene in Vegas needs a swift kick in the ass.

Todd Snider, Acoustic Routes, Las Vegas, 2002

Todd Snider, Acoustic Routes, Las Vegas, 2002

A lot has changed in all those years, including Todd’s hairstyle (see photo at left), his body of work has swelled by eleven albums (twelve if you count Shit Sandwich by Elmo Buzz and the Eastside Bulldogs); his musical style has found its way into a fresh groove with each release; while his ability to thread words and thoughts into witty, engaging, sometimes political, and ofttimes poignant lyrical tapestries, has evolved to a flawless edge.  If you’ve never heard those albums, then get your ass on Spotify and catch up. (That’s something else you couldn’t do eleven years ago).

On February 1, 2013, Todd Snider and the Burnouts heated up the ice-covered Orleans Arena with a rocking set that was book-ended with covers of tunes from two of Snider’s idols – Billy Joe Shaver’s “Good News Blues” and Chuck Berry’s classic “School Days.” Breaking from his acoustic roots, Snider armed himself with his most recent axe-of-choice – an electric guitar – for the whole night, giving way to a smoking, rocket-fueled sound, solidly driven by Paul Griffith’s incomparable drum chops and Dan Baird’s stalwart bass, and skillfully punctuated by Kevin Gordon on guitar.  The eleven song set included “Too Soon To Tell” and “Big Finish” from Snider’s latest release Agnostic Hymns and Stoner Fables.  There were two songs in the set – “Easy Money” and “D. B. Cooper” – Snider had performed back in 2002 when he stood solo on the stage of the long-gone-and-often-missed Las Vegas music venue Acoustic Routes. This time around, Todd and the Burnouts deftly treated those fan-favorites with new texture and dynamic colors, giving them a whole new shine. Hail, hail rock and roll!

After the show, I got the chance to sit down with Todd (above the noise of workers clearing the stage his bare feet had danced on less than half an hour earlier). We discussed his influences, the Burnouts, his latest song character, guitar lessons, and also some of the side gigs he’s got lined up… Would you believe he’s going to be in a movie and become a minister? Oh yeah… just call him “Pastor Todd.” You can view a video of the interview below.
(Todd… about that invite to East Nashville… Do you have a couch I can stay on?)

Post Concert Interview with Todd Snider in Las Vegas

I sincerely want to thank – Dave “Elvis” Hixx and Kymm Britton for making this interview happen; Matthew Bown and Rebecca Holmstrom of the Orleans Arena for their hospitality; Kevin Phillips for the steady camera work and good eye; and mostly, thanks to Todd Snider for the pleasure of getting to sit down and talk with him.

 

Share the love of OKOM!

Comments

comments

About Blake Phillips

I'm a long-time Parrothead (Jimmy Buffett fan), and back in 1994 Jimmy's record label released an album by a new singer-songwriter named Todd Snider. On first listen I was hooked. Snider is one the best storytellers I've ever heard. His music turned me on to other great singer-songwriters like: John Prine, Robert Earl Keen, Jerry Jeff Walker, and Will Kimbrough. Then Will's music opened me up even more greats like: Rodney Crowell, Jeff Finlin, and Tommy Womack. It's a snowball ride that started with Buffett and is getting bigger and bigger.